Showing posts with label copper. Show all posts
Showing posts with label copper. Show all posts

Wednesday, December 1, 2010

First Friday UFOs


So what's all this?

It's bits and pieces of things I've started during the past year and not finished. UFOs: Unfinished objects. I'm working on these and others, most of them one-of-a-kinds or new designs, and will have some of them ready for December First Friday at Warwick Glass Studio. Eep! That's just a couple of days away! (Click the link for a map to the studio.)

This is my last show of the year, and it's a group event, so expect lots of great art to enjoy if you decide to come out and visit me.

I'll have Squiggles and chains and a mix of my regular work in addition to the one-offs ~ and everything will be at the old prices from before silver skyrocketed above $25 an ounce. (I just checked and it's $28.70 right now. If you're interested, check Kitco for the live silver spot price.) Unfortunately, my prices will be going up to better reflect the market the next time I order silver, which will be soon.

Good news: You can now shop for Tin Cup Designs jewelry at Annie Kaill's in Juneau and Flypaper in Anchorage. And soon I'll be adding Gold Rush Fine Jewelry in Fairbanks to the list. More to come in the new year.

Finally, I got the nicest compliment yesterday (from my first Canadian customer, too). It made me so happy, I hope you'll forgive me a little tootling on my own horn. Here is is: 

Thank you for the most beautiful piece! The Alaskan Autumn Leaf Pendant Necklace is so nice! I knew I would love it when I saw the picture but I had no idea how beautiful it would be around my neck against a solid, textured sweater... the earrings are the perfect match. I am happy with everything! I know my mom will love the paperclip necklace and the earrings I have for her for Christmas! ~ Gail Adams


I loved that necklace, too, and am so happy it went to live with someone who will love it just as much. There will never be another one just like it, just as no two leaves are ever alike. But if you like real leaves imprinted forever into metal and would like for me to make something for you, all you have to do is get in touch. I love working with the leaves: Always a surprise, and the surprise is always good.

Thursday, April 1, 2010

From leaf to metal...

Many of you have asked me how this:


turns into this:


Last summer, a friend commissioned me to make a candle lantern as a wedding gift. I had never worked on anything that large, and so I decided to document the process in pictures. Basically, it's the same process I use for making the Forest Floor jewelry.

I pick the leaves as I walk on our property during the summer and fall. They're pressed and dried between sheets of blotting paper and stored in large frames built for me by a friend. When I want to print the leaves onto metal, first I arrange them on a sheet of copper or sterling silver:


Once I have them arranged to my liking, I run the metal and leaves through a rolling mill.


The intense pressure of the rollers captures even the most delicate veins in great detail. The leaves are destroyed in the process, so every piece is completely one of a kind.


After washing the leaves and sap off the metal, I decide on the general shape for the piece. This usually involves using my jeweler's saw to create detail along the edges, and in the case of the lantern, piercing holes for the light to shine through.


Next, I file the rough edges.


Here are the six panels for the candle lantern laid out in order:


and after the liver of sulfur patina had been applied:


For the lantern, I "stitched" the panels together with sterling silver wire. This technique resulted in a flexible but sturdy construction and a rustic look.



And finally, lights out:


Such a fun project; I learned a lot while making it. And I hope you've enjoyed seeing how leaves give their shape (and spirit) to metal.

Monday, March 29, 2010

1st Friday at Alaska Heritage House

Spring ~ or break-up, anyway ~ is coming fast to Fairbanks. My studio is fragrant with the scent of green leaves and grasses, as I've been working on new embossed cuffs, pendants and earrings. The oils from the leaves, crushed as they pass through the rolling mill, evoke memories of warm sunshine, wildflowers and leafy branches against a blue sky.



I hope you'll join me this week for 1st Friday at the Alaska Heritage House in Fairbanks. Not only will I have new jewelry to show for the first time, but this is a great opportunity to explore one of Fairbanks' most historic houses. Stop by anytime between 5 and 8 p.m. Friday, April 2. If you need directions, click here for a map.


These are two of the new pieces I'll have at the show. The first, the Uchiwa Pendant, is part of the Forest Floor series. Uchiwa is a non-folding Japanese fan, very similar in shape to this pendant. The copper shows the ribs of baneberry leaves and is accented by sterling silver and malachite.

The second photo shows a chased copper lily brooch accented with sterling silver balls. Click on the photo to enlarge it so you can see the detail. The brooch was first cut freehand from a thin copper sheet and then worked on a sandbag into three-dimensional shape with dapping tools and hammers. It features a tie-tac type pin back rather than a traditional brooch finding; this way it can be worn on the lapel of a winter coat as well as on a sweater or blouse.

These pieces are not in the Artfire shop. After the 1st Friday show, these or similar ones will be, so if you're not in Fairbanks, don't worry. (And feel free to get in touch to let me know you're interested now so I can plan to make them for you.)

Also for 1st Friday, please do stop by The Alaska House art gallery at 1003 Cushman Street. They've got a huge selection of my work in a beautiful display up front. With more than 60 pieces, there's a lot to see.

Next time I take a break from the bench, later today or tomorrow, I'll post the photos illustrating how real leaves are embossed into metal for the Forest Floor jewelry.

Tuesday, February 23, 2010

Show more than tell...

A small confession: I've been trying to write this blog entry for days. I finally realized I'm over-thinking what I need to say. In fact, perhaps it would be better to show you than tell you. So here are a few pictures of jewelry available in my Artfire studio now.

This copper pendant reproduces in minute detail every vein and crack in a leaf I picked up after it had already been on the ground for awhile this past fall. I love the autumn color of the copper, and the rolled edge of the pendant evokes the way leaves curl up and dry out after they've fallen from the trees. With the handwrought sterling silver chain, the necklace is approximately 20 inches long.


These Starburst Earrings are slightly domed sterling silver and copper disks with hammered decorative lines. This is the larger size, with the upper disk approximately 3/4" in diameter. I also make them smaller, with the top disk approximately 1/2" in diameter. And just for fun, there's a swingy version with the copper disk on top in both sizes. You'll find the pair in the picture in the shop now; please get in touch if you're interested in any of the other versions or in a pendant.


This Forest Floor cuff, in oxidized sterling silver, includes raspberry, high bush cranberry, willow, chokecherrry, Siberian pea and other leaves, all gathered on our 10 acres this past summer. The leaves overlap each other, and the edges are sawn a little ragged to mimic the nibbling of insects and squirrels. A bit of decorative hammering adds texture and interest. Of course, it's one of a kind, as the leaves are destroyed during the process of imprinting the metal.



When you look out the window as you're flying into Fairbanks, you notice scribbles and curlicues carved into the land by the Tanana River. That's the inspiration for this simple Alaska Riverbend pendant made of hammered copper on a satin or suede cord with sterling silver lobster claw clasp.



Next up on the blog, more show and tell: A photo essay on how real leaves are transformed into jewelry for the Forest Floor series.

Wednesday, February 10, 2010

Artfire Shop is Open!

Head on over here and take a look... It's just a start, and I'll be adding bunches of new items over the next several days. But I promised an opening by the end of January, and shhhh... It's February 10th.

To celebrate, I'm offering blog readers a 10% discount on any purchase made before February 20; just be sure to mention this blog. And for Valentine's Day ~ or for anytime you want to tell someone you love her ~ I'm also offering free shipping on this one-of-a-kind frosted sterling silver cuff. (I'll deliver to the Fairbanks/North Pole area.)

If your gal is the playful sort, she'll love the sprinkling of hearts, and the satiny finish adds softness and a certain glow.

From Tin Cup Designs Handwrought Jewelry

I chose to use Artfire for the shop because it offers lots of flexibility to customers for payment. You don't have to have an Artfire account to make a purchase, and eventually I'll offer items for sale directly on this blog.

If you're an Etsy user (or an Artfire user), I'd love to hear what you think about either. And of course if you choose to buy from my shop, I want to hear about your experience: Was it easy to use? Confusing? What would have made the experience better for you?

Tomorrow, I'll be putting up a bunch of Squiggle earrings for those of you who need your Squiggle fix. ;) Right now, there are a couple of one-of-a-kind pieces. I'm particularly fond of these hammered sterling and copper Shield Dangle earrings with lemon chrysoprase beads. They move!

And I hope they'll move right on out of the shop.

So, Happy Valentine's Day! We're more than halfway through the doldrums of the JanFebs now. The Sun is coming back, and it's busy busy. Lots of good stuff coming up. Thanks for sticking with me.

Saturday, February 21, 2009

Leaf Moth pendant in progress

Here's a first quick look at a copper and sterling silver Leaf Moth Pendant. I've figured out an interesting way to convert it to a brooch and hope to work on that tonight. This made me so happy, though, that I just couldn't wait to share it. It's going to be awfully hard for me to sell it. If you have the least bit of interest in it, start sweet-talking me now. *grin*

Thursday, February 12, 2009

Tarnish or patina?

Do you wonder about the best way to clean and care for your sterling or copper jewelry? There's no single best answer.

Probably the first thing to consider is whether you're dealing with tarnish or with a patina. The two conditions are similar and the difference is largely in the eye of the beholder: If you don't like the dark coloration, you probably call it tarnish. If you do like it — or if it is part of the artist's design for your piece — it's a patina.

For instance, take a look at these two bead rings.



Both are sterling silver wire with a carnelian bead. I just made the top ring; I've worn the bottom one on and off for several years. Personally, I think the patina improves the older ring by accentuating the curved lines of the wire, but to other eyes, it may simply look tarnished. It's case of personal preference.

Sometimes the artist has decided to add coloration as part of the design of the piece. For instance, the embossed leaves would not show up if the Forest Floor Cuff lacked a patina.



In contrast, the high shine works well for the Folded Cuff because it shows off the smooth fold against the dimples of the hammered surface.


In these Random Copper Dots earrings, the difference between patina and clean, polished metal is a key part of the design. The dark patina shows off the embossed pattern and contrasts nicely with the bright, shiny copper beads on the earwires.



So, to get back to the original question about cleaning and caring for copper and sterling silver: As in medicine, the best cure is prevention. 

If you want to avoid tarnish, gently clean your jewelry with a soft cloth before putting it away. This removes oil and dirt that can react with the metal.

Silver and copper (and even gold, although much more slowly) oxidize when exposed to certain gases in the air. Therefore, don't leave your jewelry out on your dresser: Keep it in a jewelry box, preferably in air-tight zippered plastic bags. Placing individual pieces (or pairs of earrings) in separate bags will also help as some metals react with others. Better quality jewelry boxes are made with special anti-tarnish cloth linings, and you can also purchase drawstring or zippered bags made of the same material. These work very well.

Even when you keep your jewelry clean and properly stored, tarnish happens. How you clean it depends on what materials you have.

If your jewelry includes gemstones or an artist-applied patina, clean it very gently with a jeweler's rouge cloth. You can buy these at any jewelry store, and they last for years. Rub the metal (not the stones or pearls) with moderate pressure, and be careful not to remove too much color if the patina is important.

I don't recommend using ultrasonic cleaners for jewelry with stones, because the vibrations will break some gems. Also, never use chemical jewelry cleaners on gemstones and pearls; the chemicals can discolor the stones or even create pits in the surface. Again, a rouge cloth is best, or take the piece to your jeweler to have it cleaned professionally (usually at little to no charge).

Jewelry made entirely of metal is simpler to clean.

Most of my chains are finished to a very high polish. Using a rouge cloth on large-linked chains is too labor-intensive, so I recommend a chemical cleaner for these. (I use liquid Tarn-x. You can find it in the cleaning supplies aisle at your grocery store.) Simply pour a very small quantity of the Tarn-x into a glass or plastic bowl, put the chain in it and swirl it around for a few seconds until the tarnish is gone. Then rinse in warm water and dry with a soft cloth.

Here's one of my chains: Heavily tarnished in the top photo, and then clean and shiny after being dipped in Tarn-x.





Just remember that any chemical tarnish remover will strip away all of the oxidation, including intentional patina, so don't use these unless you want absolutely no dark areas on your jewelry.

For copper, I recommend a product called Bon Ami. You will find this powder at the grocery store alongside other kitchen cleansers, such as Comet or Ajax. However, never use the other powder cleansers for jewelry, as they can scratch and damage softer metals. Bon Ami is made especially to clean copper and is not abrasive.

I generally put a small amount of Bon Ami in my palm and add a little water to make a thin paste. I use my fingers to rub the paste onto the copper. If there are crevices or if the tarnish is especially heavy, I sometimes use a soft (baby) toothbrush. If you do this, be very gentle, as too much pressure on the brush can cause scratches. When the tarnish is gone, rinse the piece in warm water and dry with a soft cloth.

Here are a couple of before and after pictures of part of a thin copper bracelet.





I actually like the way the patina in the top photo highlights the hammer marks, but I wanted to demonstrate how the copper looks after cleaning with Bon Ami. The patina will come back gradually as I wear the bracelet.

This brings up another issue: Your body chemistry affects the way metal will tarnish as you wear it. Some people cannot wear copper next to the skin because it turns green. Some can't wear silver because it leaves black marks on their skin. Some people are allergic to these and other metals. If you're one of these folks but you love silver and copper, choose jewelry that won't touch your skin, such as a brooch or a chain that you can wear over a turtleneck.

If you visit one of Alaska's many hot springs, be sure to take your jewelry off before going into the water. The high sulfur content will turn your jewelry completely black, even gold jewelry. In some cases, the metal may be damaged or the tarnish may never completely be removed.

I hope this information has been helpful. If you have any questions, please leave them in the comments, or feel free to email me.

Saturday, January 31, 2009

How do you make that?

Many, many times I've been asked, "How do you make that?" or even, "Do you really make all these things?" So I thought I'd show and tell a little of the process.

Most of my work starts out as a coil of silver or copper wire of varying gauges (thicknesses). Some of it, such as the cuffs, begins as a plain sheet of silver or copper. I keep the raw materials in a chest by my bench.


Today I'll just talk about how I make the chains. 

First, I cut off a length of wire and wrap it around a wooden or steel dowel until I have a coil of 20 to 50 or so links, depending on the size. I use a jeweler's saw to cut the coil down one side to make a bunch of open links.

Next, I use pliers to push the ends of the links flush together. I then solder some of the links closed with an oxygen/propane torch. I line a lot of them up at one time, and this is what it looks like (except that the board is usually at least half full of links).


Once I've soldered those links, I join them together with others and then solder all of those to make a chain. Some chains require more than 100 solder joins. (Yes, it takes time and patience.)

Next I hammer each link of the chain. Here are my beloved hammers.


See the one in front on the right? That's a planishing hammer, and I use it 90% of the time. It's my oldest and most beloved hammer.

After everything has been hammered, I toss it in a rotary tumbler with steel shot and let it go for up to eight hours. This is where it gets the bright, shiny finish.

And here you have an 18-inch "Paperclips" chain and earrings with 42 individually soldered and hammered links.



So, every single piece of every single chain I make, including the shepherd's hook clasp, has been formed, soldered and hammered by me. (The only thing I don't make is the earwires for the earrings. If I did, I'd spend days and days just making earwires, and even I'm not that crazy.)

Thursday, January 29, 2009

Well, hello there!


After much prodding and a few well-placed (but gentle) boots to the figural behind, I'm starting a blog for Tin Cup Designs. I don't know why it has taken this long, because I've always wanted to share my creative process, new designs and upcoming shows with you. And I certainly want to hear what you think, so please let's make this a conversation.

First of all, I'm headed into Fairbanks later today to drop off some jewelry at Artworks and New Horizons Gallery. Stop by if you need a quick gift for Valentine's Day — or just a pick-me-up for the JanFebs. (That's what I used to call the winter blues before I moved to Alaska and discovered that winter can last from September until May or June. And with the temps headed towards 50 below right now, if you're here, you probably need a boost.)

The pendant at the top is one of the new pieces I've just finished. There will be more very soon, I promise.

This one is called "Chained Heart." It's a repoussé copper heart attached to a matte-finished sterling silver trapezoid with hammered edges. The heart swings back and forth on a tiny silver chain attached by a copper rivet. 

I've been thinking a lot lately about the paradoxes of loving anyone or anything deeply: How love can make your heart soar, free as a bird — and then tether you before you get too far away. How the bonds of love can be a comfort and, sometimes, an uncomfortable limit. Most of all, how love truly is the energy that fuels the Universe, and that when I'm really working — when the hammer sings and the metal dances — I'm filled with it.

Have a lovely day!