Showing posts with label jewelry. Show all posts
Showing posts with label jewelry. Show all posts

Tuesday, February 23, 2010

Show more than tell...

A small confession: I've been trying to write this blog entry for days. I finally realized I'm over-thinking what I need to say. In fact, perhaps it would be better to show you than tell you. So here are a few pictures of jewelry available in my Artfire studio now.

This copper pendant reproduces in minute detail every vein and crack in a leaf I picked up after it had already been on the ground for awhile this past fall. I love the autumn color of the copper, and the rolled edge of the pendant evokes the way leaves curl up and dry out after they've fallen from the trees. With the handwrought sterling silver chain, the necklace is approximately 20 inches long.


These Starburst Earrings are slightly domed sterling silver and copper disks with hammered decorative lines. This is the larger size, with the upper disk approximately 3/4" in diameter. I also make them smaller, with the top disk approximately 1/2" in diameter. And just for fun, there's a swingy version with the copper disk on top in both sizes. You'll find the pair in the picture in the shop now; please get in touch if you're interested in any of the other versions or in a pendant.


This Forest Floor cuff, in oxidized sterling silver, includes raspberry, high bush cranberry, willow, chokecherrry, Siberian pea and other leaves, all gathered on our 10 acres this past summer. The leaves overlap each other, and the edges are sawn a little ragged to mimic the nibbling of insects and squirrels. A bit of decorative hammering adds texture and interest. Of course, it's one of a kind, as the leaves are destroyed during the process of imprinting the metal.



When you look out the window as you're flying into Fairbanks, you notice scribbles and curlicues carved into the land by the Tanana River. That's the inspiration for this simple Alaska Riverbend pendant made of hammered copper on a satin or suede cord with sterling silver lobster claw clasp.



Next up on the blog, more show and tell: A photo essay on how real leaves are transformed into jewelry for the Forest Floor series.

Sunday, March 29, 2009

Earth Hour, Made in Alaska, and playing tag

Did you participate in Earth Hour last night? We did: I turned off all the lights, unplugged the computers and TV, and listened to the silence and my husband playing his acoustic guitar. It's always pretty quiet here, and there's not a lot of artificial light outside the house, either, but it was so nice just to sit and enjoy the time together. Wonder why we do so little of that?


Before we get to the game, I must report that I finally applied for (and was accepted into) the Made in Alaska program. I'm not sure why it took me a decade to do this, as the process is completely painless and the cost is minimal. But this means I can now display the Made in Alaska logo on my jewelry cards and other materials. For folks who already live in Alaska, this may not matter. But for our many visitors from elsewhere, it's a reliable assurance from the Alaska Department of Economic Development that they're not buying "Alaskan" tchotches actually made in China.

Plus, the logo is kinda cute: a polar bear mom and cub..

Now for the game: I've been tagged by wonderful painter and photographer Joanne Giesbrecht, so now you get to learn stuff about me you probably don't really want to know. Or maybe you do? In any case, here goes:

What are you wearing now?
Jeans, a Georgia Bulldogs long-sleeve T (tho I'm not a fan, husband is), organic cotton socks and sheepskin slippers.

How often do you blog?
I try once a week. But fail.

Who was the last person you hugged?
My husband. I think it was by lamplight during Earth Hour last night.

Which item from your closet are you wearing most lately?
Still wearing my heavy Scottish wool cardigan most nights.

What's for dinner?
I don't want to think about that.

What's the last thing you bought?
Three larimar cabochons — and probably paid too much, but oh! so pretty.

What are you listening to right now?
Blessed silence. And my finches beeping and chattering.

What is your favorite weather and why?
A crisp autumn day. I still get that "new beginnings" feeling from all those years starting school in the fall. And the leaves smell so good.

What time do you usually get up?
Between 12:30 and 1:30 p.m. (Yes, weird. I go to bed at about 4 a.m.)

What is your most challenging goal right now?
Finding all the papers to do my taxes — and actually doing them. And then cleaning up my studio.

Say something about the person who tagged you.
Joanne pays exquisite attention to detail, not only in her wonderful paintings, but also in her photographs. She loves and is inspired by the natural world as much as I do/am.

If you could have a house — totally paid for, fully furnished — anywhere in the world, where would you want it to be?
Sewanee, Tennessee, my heart's home.

Favorite vacation spot?
Any vacation anywhere would be nice. Haven't had a true vacation in many years.

What movies can you watch over and over again?
O Brother, Where Art Thou?, Amelie, Ronin, Dead Man, Baghdad Cafe, Howl's Moving Castle

What is your favorite tea?
Earl Grey or a good green chai

Who are you tagging?

Thursday, March 19, 2009

Birches and serendipity

When I'm working at my bench, a giant birch tree is my constant companion. All I have to do is look out the window, and there it stands, a gorgeous guardian spirit.

Most of our property is covered in black spruce, so the bright white bark of this birchtree stands out. When I'm daydreaming or trying to figure something out, my eyes rest there.

Here's my companion birch in early summertime.


Decked with a rainbow in the golden light of a late summer rainstorm.


And here is a close-up of her bark.


No wonder, then, that one of my favorite jewelry patterns is called "Birches." Inspired by my faithful birch tree, it's also a lot of fun to make, as I enjoy hammering the bark pattern.

Here I've added a tiny, pale citrine to the pendant. It reminds me of birch syrup, which I keep promising myself I will learn to make. These earrings and pendant are polished to a high shine; unfortunately, the shiny part shows up as grey in my photos. But I can promise that you will stand out as brightly as my birchtree when you're wearing them.

Serendipity is one of my favorite words, and it's a concept I embrace wholeheartedly: That so often when we're looking for something, we accidentally find something else that's even better. So I should not have been surprised to find an email waiting for me after my last blog post asking if anyone would be interested in bartering a bit of web design for jewelry.

But here's the fun part: The person who emailed me is substitute teaching in Fairbanks. She had picked up a copy of an Ikea catalog at the school (on her first day working there), and my business card fell out. She liked the design, was surprised that I'm in the Fairbanks area, and so she looked me up on the Internet. Ta daaa: There I was, asking for help with something she loves to do.

So we've talked, and it sounds like we've got a deal. Don't you just love it when the Universe gives you exactly what you need? And makes you laugh and shake your head at the same time?

Serendipity.

Thursday, February 12, 2009

Tarnish or patina?

Do you wonder about the best way to clean and care for your sterling or copper jewelry? There's no single best answer.

Probably the first thing to consider is whether you're dealing with tarnish or with a patina. The two conditions are similar and the difference is largely in the eye of the beholder: If you don't like the dark coloration, you probably call it tarnish. If you do like it — or if it is part of the artist's design for your piece — it's a patina.

For instance, take a look at these two bead rings.



Both are sterling silver wire with a carnelian bead. I just made the top ring; I've worn the bottom one on and off for several years. Personally, I think the patina improves the older ring by accentuating the curved lines of the wire, but to other eyes, it may simply look tarnished. It's case of personal preference.

Sometimes the artist has decided to add coloration as part of the design of the piece. For instance, the embossed leaves would not show up if the Forest Floor Cuff lacked a patina.



In contrast, the high shine works well for the Folded Cuff because it shows off the smooth fold against the dimples of the hammered surface.


In these Random Copper Dots earrings, the difference between patina and clean, polished metal is a key part of the design. The dark patina shows off the embossed pattern and contrasts nicely with the bright, shiny copper beads on the earwires.



So, to get back to the original question about cleaning and caring for copper and sterling silver: As in medicine, the best cure is prevention. 

If you want to avoid tarnish, gently clean your jewelry with a soft cloth before putting it away. This removes oil and dirt that can react with the metal.

Silver and copper (and even gold, although much more slowly) oxidize when exposed to certain gases in the air. Therefore, don't leave your jewelry out on your dresser: Keep it in a jewelry box, preferably in air-tight zippered plastic bags. Placing individual pieces (or pairs of earrings) in separate bags will also help as some metals react with others. Better quality jewelry boxes are made with special anti-tarnish cloth linings, and you can also purchase drawstring or zippered bags made of the same material. These work very well.

Even when you keep your jewelry clean and properly stored, tarnish happens. How you clean it depends on what materials you have.

If your jewelry includes gemstones or an artist-applied patina, clean it very gently with a jeweler's rouge cloth. You can buy these at any jewelry store, and they last for years. Rub the metal (not the stones or pearls) with moderate pressure, and be careful not to remove too much color if the patina is important.

I don't recommend using ultrasonic cleaners for jewelry with stones, because the vibrations will break some gems. Also, never use chemical jewelry cleaners on gemstones and pearls; the chemicals can discolor the stones or even create pits in the surface. Again, a rouge cloth is best, or take the piece to your jeweler to have it cleaned professionally (usually at little to no charge).

Jewelry made entirely of metal is simpler to clean.

Most of my chains are finished to a very high polish. Using a rouge cloth on large-linked chains is too labor-intensive, so I recommend a chemical cleaner for these. (I use liquid Tarn-x. You can find it in the cleaning supplies aisle at your grocery store.) Simply pour a very small quantity of the Tarn-x into a glass or plastic bowl, put the chain in it and swirl it around for a few seconds until the tarnish is gone. Then rinse in warm water and dry with a soft cloth.

Here's one of my chains: Heavily tarnished in the top photo, and then clean and shiny after being dipped in Tarn-x.





Just remember that any chemical tarnish remover will strip away all of the oxidation, including intentional patina, so don't use these unless you want absolutely no dark areas on your jewelry.

For copper, I recommend a product called Bon Ami. You will find this powder at the grocery store alongside other kitchen cleansers, such as Comet or Ajax. However, never use the other powder cleansers for jewelry, as they can scratch and damage softer metals. Bon Ami is made especially to clean copper and is not abrasive.

I generally put a small amount of Bon Ami in my palm and add a little water to make a thin paste. I use my fingers to rub the paste onto the copper. If there are crevices or if the tarnish is especially heavy, I sometimes use a soft (baby) toothbrush. If you do this, be very gentle, as too much pressure on the brush can cause scratches. When the tarnish is gone, rinse the piece in warm water and dry with a soft cloth.

Here are a couple of before and after pictures of part of a thin copper bracelet.





I actually like the way the patina in the top photo highlights the hammer marks, but I wanted to demonstrate how the copper looks after cleaning with Bon Ami. The patina will come back gradually as I wear the bracelet.

This brings up another issue: Your body chemistry affects the way metal will tarnish as you wear it. Some people cannot wear copper next to the skin because it turns green. Some can't wear silver because it leaves black marks on their skin. Some people are allergic to these and other metals. If you're one of these folks but you love silver and copper, choose jewelry that won't touch your skin, such as a brooch or a chain that you can wear over a turtleneck.

If you visit one of Alaska's many hot springs, be sure to take your jewelry off before going into the water. The high sulfur content will turn your jewelry completely black, even gold jewelry. In some cases, the metal may be damaged or the tarnish may never completely be removed.

I hope this information has been helpful. If you have any questions, please leave them in the comments, or feel free to email me.

Saturday, January 31, 2009

How do you make that?

Many, many times I've been asked, "How do you make that?" or even, "Do you really make all these things?" So I thought I'd show and tell a little of the process.

Most of my work starts out as a coil of silver or copper wire of varying gauges (thicknesses). Some of it, such as the cuffs, begins as a plain sheet of silver or copper. I keep the raw materials in a chest by my bench.


Today I'll just talk about how I make the chains. 

First, I cut off a length of wire and wrap it around a wooden or steel dowel until I have a coil of 20 to 50 or so links, depending on the size. I use a jeweler's saw to cut the coil down one side to make a bunch of open links.

Next, I use pliers to push the ends of the links flush together. I then solder some of the links closed with an oxygen/propane torch. I line a lot of them up at one time, and this is what it looks like (except that the board is usually at least half full of links).


Once I've soldered those links, I join them together with others and then solder all of those to make a chain. Some chains require more than 100 solder joins. (Yes, it takes time and patience.)

Next I hammer each link of the chain. Here are my beloved hammers.


See the one in front on the right? That's a planishing hammer, and I use it 90% of the time. It's my oldest and most beloved hammer.

After everything has been hammered, I toss it in a rotary tumbler with steel shot and let it go for up to eight hours. This is where it gets the bright, shiny finish.

And here you have an 18-inch "Paperclips" chain and earrings with 42 individually soldered and hammered links.



So, every single piece of every single chain I make, including the shepherd's hook clasp, has been formed, soldered and hammered by me. (The only thing I don't make is the earwires for the earrings. If I did, I'd spend days and days just making earwires, and even I'm not that crazy.)

Friday, January 30, 2009

A Taste of Art

We all need hope — and sometimes a little help, too.

I hope you'll mark your calendar for February 21 and make plans to attend A Taste of Art, to benefit Fairbanks Counseling and Adoption. This year's theme is "One Heart, Many Faces." The fundraiser includes silent and oral auctions, dinner and entertainment. Scroll down for details, but first, take a look at my Circle of Hope necklace, which could be yours... if you submit the winning bid...




I apologize for the poor quality photo, but in scrambling to get to town to deliver the necklace, I forgot to take a picture. This is from my camera phone. However, isn't Danere Hanna, FCA's secretary, a lovely model? (Hint: You might find yourself in a bidding war with Danere's husband if you want this one-of-a-kind piece.)

The necklace is sterling silver. Both the hammered round-linked chain and the large circle focal point are incised with lines, which create real sparkle when polished (and will make an interesting, almost tribal, pattern if you prefer to let your silver oxidize naturally over time).

You really should go to the auction and get a good look at it for yourself. Here are the details.

A Taste of Art
6 p.m. to midnight February 21
at the Westmark Hotel Gold Room in Fairbanks.
All proceeds benefit the programs of Fairbanks Counseling and Adoption, which provides counseling and support for families, pregnant women and girls, as well as adoption services.
For more information and tickets, please call 456-4729.

I'd love to hear from you if you're the lucky winner of the Circle of Hope. I will be happy to make earrings to match!

Thursday, January 29, 2009

Well, hello there!


After much prodding and a few well-placed (but gentle) boots to the figural behind, I'm starting a blog for Tin Cup Designs. I don't know why it has taken this long, because I've always wanted to share my creative process, new designs and upcoming shows with you. And I certainly want to hear what you think, so please let's make this a conversation.

First of all, I'm headed into Fairbanks later today to drop off some jewelry at Artworks and New Horizons Gallery. Stop by if you need a quick gift for Valentine's Day — or just a pick-me-up for the JanFebs. (That's what I used to call the winter blues before I moved to Alaska and discovered that winter can last from September until May or June. And with the temps headed towards 50 below right now, if you're here, you probably need a boost.)

The pendant at the top is one of the new pieces I've just finished. There will be more very soon, I promise.

This one is called "Chained Heart." It's a repoussé copper heart attached to a matte-finished sterling silver trapezoid with hammered edges. The heart swings back and forth on a tiny silver chain attached by a copper rivet. 

I've been thinking a lot lately about the paradoxes of loving anyone or anything deeply: How love can make your heart soar, free as a bird — and then tether you before you get too far away. How the bonds of love can be a comfort and, sometimes, an uncomfortable limit. Most of all, how love truly is the energy that fuels the Universe, and that when I'm really working — when the hammer sings and the metal dances — I'm filled with it.

Have a lovely day!